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Kunstforum Jesper Just i Venezia 11. jun. 2013 Billedblogg fra Danmarks paviljong under Veneziabiennalen 2013. Paviljongen i Giardini-parken viste Jesper Justs stedsspesifikke filminstallasjon Intercourses. Furunes og frihetskjemperne 11. jun. 2013 Anne-Karin Furunes legger Venezia for sine føtter. Men hun gjør ikke så mye ut av at hun stiller ut i ett av byens beste gallerier, bare 15 meter bortenfor den tetteste turiststrømmen. PR er ikke det Anne-Karin Furunes er mest opptatt av der hun vandrer gatelangs i kanalbyen. Derfor var det ikke mange nordmenn som [...] Kunstkritikk Kunsten å frigjøre seg 11. jun. 2013 Office for Contemporary Art Norways presentasjon av Edvard Munch og Lene Berg på Veneziabiennalen er godt gjennomført, men OCA burde lagt mer vekt på norsk samtidskunst. Ude af fokus 11. jun. 2013 Annika von Hausswolffs udstilling på Aros i Århus præsenteres som den hidtil største museumsudstilling med den svenske kunstner. Men er det tilstrækkelig legitimation for en udstilling?	artforum.com PICKS: “Byzantine Things in the World” 11. jun. 2013 05.03.13-08.18.13 The Menil Collection, Houston, review written by Chelsea Weathers 500 WORDS: Rhonda Lieberman 11. jun. 2013 Rhonda Lieberman talks about “The Cat Show” RSS - The Art Newspaper Last stop Basel as art marathon ends 11. jun. 2013 The fair is one of the final Modern and contemporary events this summer Better to give than to receive 11. jun. 2013 Recent News on Artdaily.org Westlicht Gallery opens exhibition by Russian photographer Alexander Rodchenko Alexander Rodchenko (1891-1956) was a driving force in the Russian avant-garde and is considered one of the great innovators of photography in the first half of the 20th century. In 1924, already well-known as a painter, sculptor and graphic artist, he conquered traditional photography with the slogan “Our duty is to experiment!” Dynamic compositions, stark contrasts, unconventional angles and the use of photomontage are the defining characteristics of his photographic language. Rodchenko’s visual compositions and constructivist manifestos have been highly influential in the development of modern photography. With more than 200 photographs on display, the exhibition explores Rodchenko's dynamic vision and the extraordinary range of his work. Alongside renowned, iconic images like Portrait of the Artist's Mother (1924), Steps (1929) or Girl with a Leica (1934) WestLicht presents many rare vintage prints, which are complemented by a selection of Rodchenko's posters, public Phillips showcases sumptuous still lifes from an overlooked period in the career of Georges Braque This summer, The Phillips Collection features 44 sumptuous canvases by the great French cubist master Georges Braque (1882–1963), along with related objects, from the tumultuous years leading up to and through World War II, a time of great experimentation for the artist. The exhibition reveals insights into his creative process at a time when he used the motif of still life as a source of inspiration to synthesize cubist discoveries. In-depth technical analysis of several works uncovers details about Braque’s meticulous use of materials and his interest in creating a tactile painted surface. Georges Braque and the Cubist Still Life, 1928–1945 is on view at the Phillips from June 8 through September 1, 2013. Early in his career, Georges Braque, along with Pablo Picasso (1881–1973), made a tremendous impact on modern art as co-founder of the

Norske nyheter

Internasjonale

Kunstforum

Jesper Just i Venezia 11. jun. 2013
Billedblogg fra Danmarks paviljong under Veneziabiennalen 2013. Paviljongen i Giardini-parken viste Jesper Justs stedsspesifikke filminstallasjon Intercourses.
Furunes og frihetskjemperne 11. jun. 2013
Anne-Karin Furunes legger Venezia for sine føtter. Men hun gjør ikke så mye ut av at hun stiller ut i ett av byens beste gallerier, bare 15 meter bortenfor den tetteste turiststrømmen. PR er ikke det Anne-Karin Furunes er mest opptatt av der hun vandrer gatelangs i kanalbyen. Derfor var det ikke mange nordmenn som [...]

Kunstkritikk

Kunsten å frigjøre seg 11. jun. 2013

Office for Contemporary Art Norways presentasjon av Edvard Munch og Lene Berg på Veneziabiennalen er godt gjennomført, men OCA burde lagt mer vekt på norsk samtidskunst.
Ude af fokus 11. jun. 2013

Annika von Hausswolffs udstilling på Aros i Århus præsenteres som den hidtil største museumsudstilling med den svenske kunstner. Men er det tilstrækkelig legitimation for en udstilling?

artforum.com

PICKS: “Byzantine Things in the World” 11. jun. 2013
05.03.13-08.18.13 The Menil Collection, Houston, review written by Chelsea Weathers
500 WORDS: Rhonda Lieberman 11. jun. 2013
Rhonda Lieberman talks about “The Cat Show”

RSS - The Art Newspaper

Last stop Basel as art marathon ends 11. jun. 2013
The fair is one of the final Modern and contemporary events this summer
Better to give than to receive 11. jun. 2013

Recent News on Artdaily.org

Westlicht Gallery opens exhibition by Russian photographer Alexander Rodchenko
Alexander Rodchenko (1891-1956) was a driving force in the Russian avant-garde and is considered one of the great innovators of photography in the first half of the 20th century. In 1924, already well-known as a painter, sculptor and graphic artist, he conquered traditional photography with the slogan “Our duty is to experiment!” Dynamic compositions, stark contrasts, unconventional angles and the use of photomontage are the defining characteristics of his photographic language. Rodchenko’s visual compositions and constructivist manifestos have been highly influential in the development of modern photography. With more than 200 photographs on display, the exhibition explores Rodchenko's dynamic vision and the extraordinary range of his work. Alongside renowned, iconic images like Portrait of the Artist's Mother (1924), Steps (1929) or Girl with a Leica (1934) WestLicht presents many rare vintage prints, which are complemented by a selection of Rodchenko's posters, public
Phillips showcases sumptuous still lifes from an overlooked period in the career of Georges Braque
This summer, The Phillips Collection features 44 sumptuous canvases by the great French cubist master Georges Braque (1882–1963), along with related objects, from the tumultuous years leading up to and through World War II, a time of great experimentation for the artist. The exhibition reveals insights into his creative process at a time when he used the motif of still life as a source of inspiration to synthesize cubist discoveries. In-depth technical analysis of several works uncovers details about Braque’s meticulous use of materials and his interest in creating a tactile painted surface. Georges Braque and the Cubist Still Life, 1928–1945 is on view at the Phillips from June 8 through September 1, 2013. Early in his career, Georges Braque, along with Pablo Picasso (1881–1973), made a tremendous impact on modern art as co-founder of the

Emneord: Kunstnyheter, Kunstblogger

Publisert 5. des. 2012 10:50 - Sist endret 31. mai. 2013 13:09